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Pablo Dacal
Pablo Dacal
Pablo Dacal was born in Buenos Aires, Argentina in 1976. He is a musician, singer, songwriter and composer who graduated from the workshop taught by Ricardo Chaplains at the Conservatorio Municipal Manuel de Falla. During the Nineties, he formed musical groups and attended classes in drawing, painting, theater and philosophy in Buenos Aires and Rosario, Santa Fe Province, the city where he lived between 1998 and 2000. There he joined The Killer Burritos, a legendary group in the region led by Coki Debernardi, with whom he performed hundreds of concerts, traveled to Spain and recorded the album Un Millón de Dólares  (2000). His early songs circulated on cassettes and independent domestic editions.

Pablo released his first solo album, Absolutamente Moderno (1998), collaborating with Liliana Herrero, Miguel De Caro and Mariana Barajas, among others. Between 2000 and 2002 he edited the series of Música de Salón, a collection of discs that caught the attention of journalists and the arts alike. In Rosario, he recorded a combo next to the training variable Violeta Plástica, Volume 1 and was illustrated by cartoonist Max Cachimba. Volume 2 was recorded live with the musician and cellist Manuloop, while Volume 3 is an album of solitary and crude songs.

Working from production to graphic design and editing, and with a large number of concert series in bars, cafes and libraries, he edited a simple version with successful singer Rodrigo Bueno cuartetero, Amor Classificado (2003). La Orquesta de Salón was founded to bring together the scattered influences in the first legal edition disc, 13 Grandes Éxitos (2005). In 2006, they began to work with Talata Rodriguez and published a series of songs, mostly composed by Rodriguez.  La Era del Sonido (2008), an orchestral suite of songs, was recorded live in one of the best studios in the country, orchestrated by Manuloop, with musical direction by Paul Grinjot. 

Solo and with groups, he has covered Buenos Aires and toured other cities. In 2007, he played some concerts in Berlin (Germany) and Valencia (Spain), invited by la cadena de medios ARD to see the city of Munich. In 2009, he published La Era del Sonido en España, with special guests Fito Paez and Xoel Lopez, with distribution in France and England, where he will be appearing in the final months of this year. Meanwhile, he’s preparing a quartet album with Manuel Onis, Juan Jacinto Alfonso Barbieri, a duet with Rodrigo Gomez, and another next to the trio Voladores and an old edition of recordings through the journal El Niño Stanton.

In addition, Dacal produced in collaboration various series and thematic events such as the Jueves de Salón, Salones Poéticos, Cama adentro, Cheek to Cheek, Salón Favio, Festival de Cantautores con Orquesta y el Aquelarre, fiesta fronteriza.  He also composed original music for the following plays: El Mensajero de Hesse (1999), El Anticuerpo (2002), La Piel o la vía alterna del complemento (2003), Somnium (2004), Procedimientos para inhibir la voluntad de los individuos (2006), y Cartas de amor a Stalin (2007), all led by Enrique Dacal; Los Argonautas (2004), directed by Graciela Bravo; Yo soy Sonia Nauman (2005), directed by Cristian Drut; Ifigenia  (2006), directed by Agustina Gatto. He also participated in the Concierto de Salón -Música para Concierto de Voz Hablada (2003), the farce ¿Tengo lo que? (2004), El Show del Año, along with Pablo Grinjot and la Compañía Teatral Mondo Pasta (2005), and the theatrical improvisation Veladas Temáticas (2005-2007). He also co-produced the La Tribu, an FM radio program called Atendido por Sus Dueños (2006) and starred in the television show Pablo Dacal y el Misterio del Lago Rosario (2007), directed by Ignacio Masllorens. He contributed to the magazines La Mano, Plebeya y Plan V, interviewing for the latest film and the singer Leonardo Favio. Asesinato del Rock was included in the latest edition of the legendary book Cómo Vino la Mano, a run through the origins of rock Argentino that Miguel Grinberg first published in 1977.

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Pablo Dacal
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